{"id":380,"date":"2025-09-08T13:49:29","date_gmt":"2025-09-08T16:49:29","guid":{"rendered":"https:\/\/paulabertua.com\/?p=380"},"modified":"2025-11-14T14:16:07","modified_gmt":"2025-11-14T17:16:07","slug":"under-the-same-sky-martin-weber","status":"publish","type":"post","link":"https:\/\/paulabertua.com\/es\/under-the-same-sky-martin-weber\/","title":{"rendered":"Bajo el mismo cielo, Mart\u00edn Weber"},"content":{"rendered":"
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2022<\/b><\/p>\n

Texto curatorial<\/b><\/h3>\n

Galer\u00eda Herlitkza + Far\u00eda
Ciudad de Buenos Aires, Argentina<\/h4>\n

\u00bfC\u00f3mo habita el pasado en el presente? \u00bfDe qu\u00e9 modo se hace palpable la historia?\u00bfQu\u00e9 tipo de memoria son capaces de preservar los objetos y los cuerpos? Una determinaci\u00f3n radical de la belleza encarna en la violencia de los \u201cD\u00edas peronistas\u201d de Mart\u00edn Weber. Esa serie de manchas irregulares \u2013agrupadas o dispersas, m\u00e1s intensas o m\u00e1s tenues, m\u00e1s o menos saturadas que recorre distintas gradaciones del azul de Prusia\u2013 convocan un sentimiento de lo sublime que trae a la presencia un trazo y su retirada. Porque estos cianotipos son a la vez gesto y archivo del contacto con los Blindex que proteg\u00edan el f\u00e9retro de Juan Domingo Per\u00f3n, en su momento rotos a martillazos para cortar y extraer sus manos. Los sutiles papeles emulsionados por Weber funcionan como un cenotafio en su sentido m\u00e1s literal, como monumento funerario vac\u00edo que no contiene el cad\u00e1ver pero en su lugar se\u00f1ala algo que ha ocurrido y se ha perdido.<\/span><\/p>\n

Una presencia surge entonces sedimentada tanto en la propia materialidad de los vidrios -sometidos a movimientos, ultrajes, procedimientos f\u00edsicos y judiciales a lo largo de tres d\u00e9cadas- como mediante el dispositivo fotogr\u00e1fico que registr\u00f3 qu\u00edmicamente aquel movimiento detenido. \u201cD\u00edas peronistas\u201d forma parte del proyecto Historias encarnadas, donde Weber se interesa por ese tipo de pasado que no precede al presente, sino que se aloja en \u00e9l, emergiendo con los variados rostros del anacronismo. Un pasado que, en momentos de crisis y desintegraci\u00f3n, nos asalta s\u00fabitamente, como dec\u00eda Walter Benjamin, en un \u201cinstante de peligro\u201d.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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2022 Curatorial text Herlitzka + Far\u00eda galleryCity of Buenos Aires, Argentina How does the past inhabit the present? How does […]<\/p>","protected":false},"author":1,"featured_media":381,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[12],"tags":[],"class_list":["post-380","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-curating"],"yoast_head":"\nUnder the same sky, Mart\u00edn Weber - Paula Bert\u00faa<\/title>\n<meta name=\"description\" content=\"How does the past inhabit the present? 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